Freud's Body Ego or Memorabilia of Grief BIBLIO

FREUD'S BODY EGO OR MEMORABILIA OF GRIEF
LUCIAN FREUD & WILLIAM KENTRIDGE

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Galleries & Museums

A
	Adorno, Theodor. (1983). "After Auschwitz," "Culture and Metaphysics." Negative Dialectics (1966). New York: Continuum.
	_____. (2001). The Culture Industry: Selected Essays on Mass Culture by T.W.Adorno. Edited by Jay M. Bernstein. New York: Routledge.
	Anissimov, Myriam. (2000). Primo Levi: Tragedy of an Optimist. Translated by Steve Cox. New York: Overlook.
	Antonioni, Michelangelo. (1966). Blowup. [VHS]
	Anzieu, Didier. (1989). The Skin Ego. New Haven: Yale University Press.
	_____. (1990). Psychic Envelopes. New York: Brunner-Routledge.
	_____. (1998). A Skin for Thought. London: Karnac.
	Arendt, Hannah. (1981). Rahel Varnhagen: Lebensgeshichte einer deutschen Jüden aus der Romantik (1959). Munich: R. Piper.
	_____. (2000). Rahel Varnhagen: The Life of a Jewess (1957/58). Edited by Lilian Weissberg. Baltimore: Johns Hopkins University Press.
	_____. (1994). Eichmann in Jerusalem: A Report on the Banality of Evil (1964). New York: Penguin.
	_____. (2003). Responsibility and Judgment (1960s). Edited by Jerome Kohn. New York: Schocken.
	Arieti, Silvano. (2000). The Parnas: A Scene from the Holocaust (1979). Philadelphia: Paul Dry.
	Aristotle. (1995). On the Soul, Parva Naturalia, On Breath (1936). Translated by W.S. Hett. Cambridge: Harvard University Press.

B
	Balzac, Honoré. (1966). Le Chef-d'oeuvre inconnu (1831). Paris: Editions du livre club du libraire.
	_____. (1972). La Peau de chagrin (1831). Paris: Le livre de poche.
	_____. (1995). The Wild Ass's Skin. New York: Viking.
	Bellow, Saul. (2000). Ravelstein. New York: Viking.
	Beckett, Samuel. (1984). Collected Shorter Plays. New York: Grove.
	Benjamin, Walter. (1920-21). "Theologico-Politico Fragment." Reflections: Essays, Aphorisms, Autobiographical Writings. New York: Schocken.
	_____. (1998). The Origin of German Tragic Drama (1963). Introduced by George Steiner. London: Verso.
	_____. (1986). Reflections: Essays, Aphorisms, Autobiographical Writings. New York: Schocken.
	_____. (1985). Illuminations (1955). Introduction by Hannah Arendt. New York: Schocken.
	_____. (1999). The Arcades Project (1982). Cambridge: Harvard University Press.
	Bernstein, Jay M. (1992). The Fate of Art: Aesthetic Alienation from Kant to Derrida and Adorno. Oxford: Polity Press/Pennsylvania State University Press.
	_____. (2001). Adorno: Disenchantment and Ethics. New York: Cambridge University Press.
	_____. (2006). Against Voluptuous Bodies: Adorno's Late Modernism and the Meaning of Painting. Stanford: Stanford University Press.
	Birnbaum, Philip. (1964). A Book of Jewish Concepts. New York: Hebrew Publishing Company.
	Bloom, Harold. (1997). The Anxiety of Influence: A Theory of Poetry (1973). New York: Oxford University Press.
	_____. (1991). "Freud: Frontier Concepts of Jewishness and Interpretation." 135-52. American Imago. Summer. 48.
	Breasted, J. H. (2001). Geschichte Aegyptens (1936). Vienna: Glb. Parkland [Phaidon].

C
	Calvino, Italo. (1978). Invisible Cities. New York: Harvest.
	Celan, Paul. (2000). "Deathfugue" ["Todesfuge"]. Selected Poems and Prose. Translated by John Felstiner. New York: Norton.
	_____. (2000). Glottal Stop: Selected Poems and Prose of Paul Celan. Translated by Nikolai Popov. Middletown: Wesleyan University Press.
	Clair, Jean. (1987). "Lucian Freud: la question du nu en peinture et le destin du moderne." Nouvelle revue de la psychanalyse. 35.
	Crick, Francis. (1995). Astonishing Hypothesis: The Scientific Search for the Soul. New York: Touchstone.

D
	Damasio, Antonio. (2000). The Feeling of What Happens: Body and Emotion in the Making of Consciousness. New York: Harvest.
	Derrida, Jacques. (1987). The Post-Card: From Socrates to Freud and Beyond (1980). Translated by Alan Bass. Chicago: University of Chicago Press.
	_____. (1987). The Truth in Painting. Translated by Geoffrey Bennington et al. Chicago: University of Chicago Press.
	_____. (1988). The Ear of the Other: Otobiography, Transference, Translation (1982). Lincoln: University of Nebraska Press.
	_____. (1991). Cinders. Edited by Ned Lukacher. Lincoln: University of Nebraska Press.
	_____. (1993). Memoirs of the Blind: The Self-Portrait and Other Ruins. Chicago: University of Chicago Press.
	_____. (1994). Specters of Marx: The State of Debt, the Work of Mourning, and the New International. New York: Routledge.
	_____. (1998). Archive Fever: A Freudian Impression. Chicago: University of Chicago Press.
	_____. (2001). The Work of Mourning. Chicago: University of Chicago Press.
	Descargues, Pierre, ed. (1961). Art Treasures of the Hermitage. Translated from French by Matila Simon. New York: Harry N. Abrams.
	Devonshire, The Duchess. (2002). Chatsworth: The House. Photographs by Simon Upton. London: Frances Lincoln.
	Doolittle, Hilda [H.D.]. (1984). Tribute to Freud. New York: New Directions.

E
	Eissler, K.R. (1955). The Psychiatrist and the Dying Patient. New York: International Universities Press [hereafter IUP].
	_____. (1962). Leonardo da Vinci. Psychoanalytic Notes on the Enigma. New York: IUP.
	_____. (1963). "Die Ermordung von wievielen seiner Kinder muss ein Mensch symptomfrei ertragen konnen, um eine normale Konstitution zu haben?" ["The murder of how many of his children can a human being endure without symptoms and still be normal?"]. 241-91. Psyche. 17: 5.
	_____. (1969). "Death: Death and the pleasure principle." In Death: Interpretations. Edited and introduced by Hendrik M. Ruitenbeek. New York: Dell.
	_____. (1971). "Death drive, ambivalence, and narcissism." 25-78. Psychoanalytic Study of the Child. 26.
	_____. (2000) [Nachlaß]. "On Hatred." 27-44. Psychoanalytic Study of the Child. Edited by Albert J. Solnit. 55.
	_____. (2000) [Nachlaß]. "Living in history and ego strength." 7-26. "Psychoanalytic Study of the Child. 55.
	_____. (2000) [Nachlaß]. "Die Mühlsteine der Menschheit" ["The Millstones of Mankind"]. 13-57. Jahrbuch der Psychanalyse: Beitrage zur Theorie, Praxis und Geschichte. Edited by F.-W. Eickhoff. Band 42.
	_____. (2001) [Nachlaß]. Freud and the Seduction Theory: A Brief Love Affair. Madison, Connecticut: IUP.

F

Farber, Stephen and Green, Mark. (1993). Hollywood on the Couch: A Candid Look at the Overheated Love Affair Between Psychiatrists and Moviemakers. New York: William Morrow.

Feaver, William. (2002). "Seeing through the skin." The Guardian. Saturday. May 18.

Fliess, Robert. (1971). Ego and Body Ego: Contributions to their Psychoanalytic Psychology. (1961). New York: IUP.

Freud, Anna. (1971ff). The Writings of Anna Freud [hereafter CW (Collected Writings)]. 8 vols. New York: IUP.

_____. (1922). "Beating fantasies and daydreams." 137-57. CW 1.

_____. (1951). "An experiment in group upbringing." 163-229. " Indications for child analysis and other papers 1945-56. CW 4.

_____.(1955). "The concept of the rejecting mother" (1954). 586-604. CW 4.

_____. (1967). "About losing and being lost" (1953). 302-16. CW 4.

_____. (1988). The Ego and the Mechanisms of Defence (1937; 1966). CW 2.

Freud, Lucian. (2003). Drawings 1940. New York: Matthew Marks Gallery.

_____. (1954). "Some Thoughts on Painting." Encounter. July. III: 1.

_____. (1984). Lucian Freud. (1982). By Lawrence Gowing. New York: Norton.

_____. (1988). Interview with Willam Feaver. Exhibition at the Hayward Gallery. 7 February. [BBC audio interview]

_____. (1989). Lucian Freud: Paintings. By Robert Hughes. London: Thames & Hudson.

_____. (1994). Lucian Freud: Recent Work. By Catherine Lampert. New York: Metropolitan.

_____. (1996). Lucian Freud: New Work 1996. By William R. Acquavella. New York/London: Acquavella Galleries.

_____. (2000). Lucian Freud: Recent Work 1997-2000. By William R. Acquavella. New York/London: Acquavella Galleries.

_____. (2000). Lucian Freud: Etchings. By Esther Freud. New York: Matthew Marks Gallery.

_____. (2002). Lucian Freud. By William Feaver. New York: Harry N. Abrams.

_____. (2002). Interpreting Lucian Freud. By David Allen Mellor.

_____. (2002). Inside Job: Lucian Freud in the Studio. Photographs by David Dawson. London & New York: Hazlitt Holland-Hibbert.

_____. (2004). Lucian Freud: Recent Paintings and Etchings. New York: Acquavella.

_____. (2005). Lucian Freud 1996-2005. Introduction by Sebastian Smee. New York: Knopf.

_____. (2006). Freud at Work: Lucian Freud in Conversation with Sabastian Smee. By Bernard, Bruce & Dawson, David. New York: Knopf.

Freud, Martin. (1983). Sigmund Freud: Man and Father. New York: Jason Aronson.

Freud, Sigmund. (1978). The Complete Psychological Works [hereafter SE (Standard Edition)] (1966). Edited by James Strachey. 24 vols. London: The Hogarth Press.

_____. (1888). "Aphasie," "Gehirn," "Hysterie," "Hysteroepilepsie." In Villaret. Handwörterbuch der gesamten Medizin. I. Stuttgart. [See SE 1: 39 & 58.]

_____. (1891). On Aphasia. [See 1953]

_____. (1900). The Interpretation of Dreams (1899). SE 4 & 5.

_____. (1901). The Psychopathology of Everyday Life. SE 6.

_____. (1907). Delusions and Dreams in Jensen's "Gradiva" (1906). Postscript (1912). 1-96. SE 9.

_____. (1908). "Creative Writers and Day-Dreaming" (1907). 141-54. SE 9.

_____. (1909). Analysis of a Phobia in a Five-Year-Old-Boy ["Little Hans"]. Postscript (1922). 1-150. SE 10.

_____. (1910). Leonardo da Vinci and a Memory of His Childhood. 59-138. SE 11.

_____. (1913). "On beginning the treatment. Further recommendations on the technique of psycho-analysis." 121-44. SE 12.

_____. (1914). "The Moses of Michelangelo." 209-38. SE 13.

_____. (1915). "Mourning and Melancholia." 237-58. SE 14.

_____. (1916). " On transience" (1915). 303-8. SE 14.

_____. (1919). "On the teaching of psycho-analysis in universities." (1918). 169-73. SE 17.

_____. (1919). "The 'Uncanny'" ["Das 'Unheimlich'" ]. 217-56. SE 17.

_____. (1919). "A child is being beaten." 175-204. SE 17.

_____. (1920). Beyond the Pleasure Principle. 1-64. SE 18.

_____. (1922). "Medusa's Head." [See 1940].

_____. (1923). The Ego and The Id. 1-66. SE 19.

_____. (1926). The Question of Lay Analysis. 179-258. SE 20.

_____. (1927). "Fetishism." 147-58. SE 21.

_____. (1928). "Dostoevsky and parricide" (1927). 175-96. SE 21.

_____. (1929). "Some dreams of Descartes': Letter to Maxine Leroy." 199-204. SE 21.

_____. (1930). Civilization and its discontents ["Das Unbehagen der Kultur"]. 59-148. SE 21.

_____. (1939). Moses and Monotheism: Three Essays. (1934-38). 1-138. SE 23.

_____. (1940). "Medusa's Head" (1922). 273-74. SE 18: 273-74.

_____. (1940). "Splitting of the ego in the process of defence" (1938). 271-78. SE 23.

_____. (1953). On Aphasia (1891). London & New York.

_____. (1975). Letters (1960). Selected and edited by Ernst L. Freud. Introduced by Stephen Marcus. Translated by Tamar and James Stern. New York: Basic.

_____. (1992). The Diary of Sigmund Freud 1929-1939: A Record of the Final Decade. Edited & translated by Michael Molnar. New York: Scribner.

G
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	_____. (1968). The Disasters of War. New York: Dover.
	Greenberg, Clement. (1940). "Avant-garde and Kitsch." 255-73. " Horizon. April. 1: 4.
	_____. (1955). "'American-Type' Painting." 179-96. Partisan Review. Spring. 22: 2.
	_____. (1955). "The Jewishness of Franz Kafka: Some Sources of his Particular Vision." Commentary. April.
	_____. (1988). The Collected Essays and Criticism: Perceptions and Judgments (1939-44). Edited by John O'Brian. Volume 1. Chicago: University of Chicago Press.
	_____. (1988). The Collected Essays and Criticism: Arrogant Purpose (1945-49). Edited by John O'Brian. Volume 2. Chicago: University of Chicago Press.
	_____. (1995). The Collected Essays and Criticism: Affirmations and Refusals (1950-56). Edited by John O'Brian. Volume 3. Chicago: University of Chicago Press.
	_____. (1995). The Collected Essays and Criticism: Modernism with a Vengeance (1957-69). Edited by John O'Brian. Volume 4. Chicago: University of Chicago Press.
	Gyatso, Tenzin. (2003). "The Monk in the Lab." The New York Times. 26 April.

H
	Hoffmann, E.T.A. (1990). The Tales of Hoffmann. New York: Penguin.

I
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	_____. (1954). "Spoken words in dreams. A preliminary communication." 1-6. Psychoanalytic Quarterly. 23.
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J
	Jacobson, Edith. (1971). Depression. New York: IUP.
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K

Kehr, Dave. (2003). "A Grand Tour of Russia's Past." The New York Times. 14 March.

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Kentridge, William. (1998). William Kentridge. (1991). By Carolyn Christov-Bakargiev. Brussels: Société des Expositions du Palais des Beaux-Arts de Bruxelles.

_____. (1999). William Kentridge: Drawing the Passing. [VHS]

_____. (1999). William Kentridge. By Dan Cameron, Carolyn Christov-Bakargiev, & J. Coetzee. London: Phaidon.

_____. (2001). William Kentridge. New York: Harry N. Abrams.

_____. (2001). William Kentridge: Weighing . . . and Wanting. Essay by Leah Ollman. Introduction by Hugh M. Davies. San Diego: Museum of Contemporary Art.

_____. (2002). "Response to Artist's Questionnaire: Some thoughts on Obsolescence." 16-18. Spring. October. 100.

_____. (2002). Collaborations: William Kentridge et al. Parkett. 63.

Kiefer, Anselm. (1981). Dein Goldenes Haar, Margarethe [Your golden hair, Margarete]. Collection Sanders, Amsterdam. [Painting pace Celan]

Kimmelman, Michael. (1999). Portraits: Talking with Artists at The Met, The Modern, The Louvre and Elsewhere. New York: Random.

Krauss, Rosalind. (1986). The Originality of the Avant-Garde and Other Modernist Myths. Cambridge: MIT Press.

_____. (1994). The Optical Unconscious. Cambridge: MIT Press.

_____. (2000). Bachelors. Cambridge: MIT Press.

_____. (2002). "'The Rock': William Kentridge's 'Drawings for Projection'." 3-35. October. Spring. 92.

Kris, Ernst. (1962). Psychoanalytic Explorations in Art. New York: IUP.

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L
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M
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N

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_____. (1999). Barnett Newman. Paintings, Sculpture, Works on Paper. By Armin Zweite and Jane Bobko. New York: Hatje Cantz.

_____. (2002). Barnett Newman. Edited by Anne Temkin et al. New Haven: Yale University Press.

_____. (2003). Barnett Newman: The Stations of the Cross. Lema Sabachthani. By Franz Meyer. Düsseldorf: Richter.

O

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Q

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	_____. (1998). Diaries of a Young Poet. Translated by Edward Snow and Michael Winkler. New York: Norton.
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S
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GALLERIES & MUSEUMS

LUCIAN FREUD

WILLIAM KENTRIDGE

LUCIAN FREUD

UK
London

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New York

Matthew Marks Gallery

Museum of Modern Art

WILLIAM KENTRIDGE

UK
London

Scolar Fine Art

Tate Gallery Britain

USA
New York

David Krut Fine Art

Marian Goodman Gallery

Museum of Modern Art

New Museum of Contemporary Art

Seattle

Greg Kucera Gallery

PHOTOGRAPHER Jena Scott

Boston

Barbara Kracow Gallery

The Rose Art Museum

Washington D.C.

National Museum of African Art

Chicago

Museum of Contemporary Art

San Diego

Museum of Contemporary Art

SA
Johannesburg

David Krut Publishing

Goodman Gallery

Cape Town

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NL
Amsterdam

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©2003javari.com®
©2003jastonephd
Stone, Jennifer, 1950-
Freud's Body Ego
or Memorabilia of Grief:
Lucian Freud &
William Kentridge /
Jennifer Arlene Stone
p. cm.
Includes bibliographical references & index
ISBN 0-9679161-8-6
(paperback: acid-free paper)
1. Art Criticism
2. Art History
3. Bereavement_Psychological Aspects
4. Body Image
5. Freud, Lucian, 1922-
6. Freud, Sigmund, 1856-1939
7. Kentridge, William, 1955-
8. Mourning and Melancholia
9. Psychoanalysis and Art
10. Psychoanalysis and Culture

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Freud's Body Ego
or Memorabilia of Grief
Lucian Freud &
William Kentridge
by Jennifer Arlene Stone
ISBN 0967916186

First Edition 2003
Second Edition 2006
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